Thucydides the Athenian notes that of pre-history, he is obliged to
accept what the poets say, although certainly this is unsatisfactory,
and the poets are not to be trusted. Since Thucydides was an Athenian,
he presumably shared in the general blase attitude which they took
towards the rites and rituals. The Spartans would postpone invasions if
the auguries were inauspicious, whereas the Athenians did not hesitate
to tear down temples dedicated to the gods and fortify them as watch
towers. The Spartans consulted the Delphic oracle before waging war, and
the Athenians held a democratic (or oligarchic) debate. So we see that
the rationalizing outlook is nothing new, for the Athenians defended
themselves from charges of impiety by using the excuse that they were
compelled by war’s necessity, which was a general law of nature, and
that the gods would understand this. They didn’t reject the gods, they
merely re-interpreted them, since occasionally a philosopher could
offend even their sensibility enough to run the risk of impiety charges.
In fact, with their maritime Empire, democracy, riches, and political
expediencies (see the
Melian dialogue), the Athenians seem to be a very “modern” people indeed.
Those who struggle to undertake Hercules’ labors should take heart
that these trends and currents against which they swim are in no way a
novelty. Did I mention that Athens lost the Peloponnesian War against
Sparta? It was the hubris of their Sicilian Expedition which did them
in. Hubris is always present when the gods are disrespected.
Those whom the gods wish to destroy, they first make mad.
Immersing yourself in Tradition is one way of “not going mad”; the
ancients knew that poetry, myth, legend, and religion were important
ways of practicing waking up before one was even fully awake. At least
if one goes “mad” during the epicycle of Tradition, there is a cure
available within the cycle, since it is “all of a piece”. As we see with
Hercules, making human detours or mortal mistakes do not derail him on
his path. This is not merely because God “favors” him, but because
Hercules is acting a part – that is, he is “acting” above himself,
rather than mimicking that which is below him. He is rising to his true
Self, doing the opposite of what a play actor does. If you tell a man,
“God is Light”, that still requires either a) an epiphany on his part,
or b) more explanation. But if you tell him, that in order to go to
heaven, he has to pass the three headed dog and travel by the path that
borders hell, in the shadow of the dark forest, and save the maiden who
waits for him, then he can begin to understand.
In this episode, our hero does quite a bit of killing. As I’ve tried
to explain to some liberal friends, if it’s worth dying for, it’s
probably worth killing for in some way, as well. Although I don’t fully
understand what Christ meant by “those who live by the sword, die by the
sword”, there are other Bible proof texts, as long as people are
asking.
-
Do not think that I have come to bring peace to the earth; I have not come to bring peace but a sword.Matthew 10:34
-
I came to bring fire to the earth and how I wish it were
already kindled! Do you think that I have come to bring peace to the
earth? No, I tell you, but rather division.Luke 12:49-51
-
And he said unto them, When I sent you without purse, and
scrip, and shoes, lacked ye any thing? And they said, Nothing. Then
said he unto them, But now, he that hath a purse, let him take it, and
likewise his scrip: and he that hath no sword, let him sell his garment, and buy one.
For I say unto you, that this that is written must yet be accomplished
in me, And he was reckoned among the transgressors: for the things
concerning me have an end. And they said, Lord, behold, here are two
swords. And he said unto them, It is enough.Luke 22:35-38
Hercules will end up adventuring among the Amazons; Hera comes down,
and stirs up their ire, as it would appear that Hercules’ power and
charm (by itself) would have overcome them. Only Hippolyta is untouched,
but she is doomed in her act of going to Hercules to aid him. Did
Hera’s rage affect our hero, as well? We think that a touch of it did
cloud him, here.
Diodorus Siculus[29]
enlists nine Amazons who challenged Heracles to single combat during
his quest for Hippolyta’s girdle and died against him one by one: Aella, Philippis, Prothoe, Eriboea, Celaeno, Eurybia, Phoebe, Deianeira, Asteria, Marpe, Tecmessa, Alcippe. After Alcippe’s death, a group attack followed.
In another version, Hercules’ takes Melinippe (Hippolyta’s sister)
captive, and successfully exchanges the girdle in return for her life.
For most versions, after the mob attack on Hercules (which fails),
Hippolyta storms to his rescue, but Hercules thinks she has betrayed
him, and strikes at her with the inevitable result.
The Amazons are connected with the city of Troy, & came to its defense during the siege. Coupling this with the episode of
Dido
& Aeneas (in which Aeneas inadvertently kills Dido and her love by
leaving), we can say that the Amazon theme has a strong association with
the trajectory and rise of the hero. They come after the affliction,
& before the exultation and triumph. The rise of Roma is under the
occult name of Love.
Hera is clearly a retarded element in the myth, but the Amazons are
not. The girdle had been given by Ares to the queen, and represents
feminine power to stand as a man against men. When Hippolyta exchanges
the girdle for her sister, she is returned to the world of sisterly and
feminine existence. She is tempered and made flexible. Hercules’ death
blow may or may not be literal: there is an exchange between them which
destroys Hippolyta’s warlike status & leads to Hercules’ obtaining
of the girdle.
We have to note that Hercules is not seeking the girdle out of hatred
for the Amazons. It is part of the given quest, & Hercules isn’t
going to boast about it or even wear it. Hercules’ adventures were the
subject of a good deal of contemplation
during the Middle Ages. The allegorization of Hercules was not restricted to Christian thinkers, & there were even Tarot cards which used
the Hercules motif.
In general, we may fairly say that Hercules has by right always been
understood as symbolizing the strong man of the real self, who overcomes
the lower self and even its own self. Indeed, the theme remained
popular through the Baroque era, up
until very modern times.
Why make much of the “true Self” and “false Self”? Well, for one
thing, we don’t see Hercules sleeping his way through the adventures by
bedding a bunch of females. At the most, we reach any hint of that in
this story, and only a hint. We don’t find him killing indiscriminately
or widely (during this adventure, he does kill some men, but desists
when kinsmen of the king are offered in exchange for his fallen
comrades, and the Amazon battle is self-preservation). He is not
“tempted” in any conventional way, with delights or ease. So the
medieval and pre-medieval interpretation is legitimate: Hercules is not a
masterless man.
Alice Bailey
drew parallels
with the Zodiac & the meaning of Virgo, one of the oldest signs.
What comes after his death-blow to Hippolyta is instructive:
“Hippolyte is the Queen of the Amazons, a great race of
women warriors, to whom Venus, the Queen of Love, has given a girdle,
the symbol of unity, motherhood and the sacred Child, achieved through
struggle. Traveling to the shores of her kingdom, Hercules fights
Hippolyte and kills her for the girdle. Too late, he realizes that
Hippolyte had not put up any struggle but offered the girdle to Hercules
freely, under instruction from God. In a state of shock, Hercules sets
forth to redeem this failure. While journeying back to the shores of the
sea, he hears the screams of the beautiful Hesione being attacked and
then swallowed by a sea monster. Hercules swims furiously out to sea to
rescue her and, as the monster turns on him, opening its mouth to roar,
Hercules rushes down the red tunnel of its throat, grasps Hesione and
hews his way out of the serpent’s belly. Thus, after slaughtering the
feminine principle that gave him what he needed, Hercules makes amends
by rescuing that which also needed him.”
What is being uncovered here is the falseness of the corrupt feminine
principle (Hera and the mob Amazons) and the new Woman called into
being by the progress of the Hero: the man is acquiring firmness without
brutality, and the woman is acquiring docility and flexibility without
dishonor. Man becomes divine, Woman becomes eternal, together, but in a
different way.
Hippolyta is a perfect Dido, and is moreover the perfect woman
(although belatedly). Hercules responds by essentially becoming a
Christian knight. With this adventure, we have entered the world of the
Middle Ages and their romances, deliberately satirized in
Don Quixote. But rather than becoming
Orlando Furioso,
Hercules acts directly. In literary words, Hercules takes the path of
Dante rather than the path of Faust; he is open to vertical change, and
avoids meandering and wallowing in self-pity, regret, manipulation of
Nature, or stasis.
In the liberal world, we are offered a “
God Without Thunder“.
In this world, God must act according to our preconceptions. Thus, YHWH
is guilty of genocide and the worst forms of ancient prejudice and
violence, and is a veritable demon, whereas Jesus becomes a prophet-sage
who aimed at freeing man from all darkness with the news that “God is
Light”. This is the new civil religion for our time. It delights in
opposing false anti-theses, in order to develop facetious syntheses. The
opposite of this is to peer deeper into the mysteries of existence,
& this is done, not through rationalization, but (for most people)
legend, myth, history, poetry, and religion. These traditional forms are
analogue and temporary substitutes for Right or Pure Reason: they are
“practice”, like children playing at sword-sticks – it is also deadly
serious, but a form of play. The first card of the Tarot enjoins us to
turn “work into play”.
For Hercules the warrior knows there are monsters at large, not least
of all in his own heart, & that they must all be conquered, slain,
or transformed, as may be. Evil exists, & there is really no way to
get God off the hook, rationally speaking. Either one begins the path by
piety, submission, and respect for the higher power which tasks you (in
which case these higher powers differentiate themselves into
Hera/adversary and Zeus/protector, and the end of which is apotheosis
and divinization, in which the hero is united to the separated divine)
or else you try clever and abstract mental gymnastics. The liberal
worldview has chosen the latter, & it is far easier to simply
rewrite, ignore, or ridicule Tradition than to take up the cross, and
follow the path of the hero-turning-knight. Is there a third way? I do
not believe that there is. You can only see more deeply into what is
already true, what is already old, what is already there. There is no
revolutionary resolution or higher truth that preserves the profundity
of Tradition, while somehow transcending the thunder of the Gods which
offend our sensibilities. One will devour the other, and this itself
shocks the sensibilities!
The temptation here is to mental passion and pride, which is why
Gornahoor for Lent last year recommended a “mind fast” rather than a
food fast. The myth clearly walks the initiate through the cycle of the
Zodiac, and includes not only detours and failures, but also
conspiracies and meta-conspiracies, as well as a varied array of
monsters. It is, in other words, psychologically and spiritually both
replete and complete. It can stand alone as its own veritable natural
Gospel, were the coming of Christ hundreds of years off, because it is
the primordial Truth in the first place.
When Hercules walks away with the girdle, but then goes and saves the
maiden on his way home, & then surrenders the war-relic to his
adversary as proof of passing the tests, he has “learned justice and
mercy” by triumphing over the passions of vengeance and lust and the
temptation to use the rod of iron in the cause of human wrath or
personal gain. In each labor, he proves that he has deeply assimilated
the implications of each previous lesson learned, even as he stumbles.
The point is not to avoid failure, but to get back up. That was
always the point to begin with. The quest doesn’t end, until Hercules is
done acting on each lesson learned. Fate is now weaving itself around
the hero, rather than weaving the hero around Itself.
Ducunt volentem Fata, nolentem trahunt. Hercules,
exposed warts and all, is now
ta’veren.
His deeds are increasingly judged only by his own conscience, & by
God. The shallow and base will call out (as they do against God) “you
have waded through slaughter to a throne!”. But Zeus & Hercules
& Hippolyta know that he is becoming a
parfait and gentle knight.
What does it mean? As late as the last adventure, we saw the growing
conspiracy, which comes out into the open now, using an arm of humanity
(the mob feminists of the day) against the hero in a berserk manner.
Hercules stays focused on learning personal lessons, and will not allow
himself to be cowed or bullied either inside or out. He stays focused on
the lesson, even when failing it. And because of that, he cannot fail.
Is this not the hidden meaning of “all things work to the good of them who love the Lord”?